Posts Tagged ‘featured’

It seems the official past time of this particular summer movie season is deciphering Christopher Nolan's mind-bending heist flick, Inception. Critics and fans have been weighing in and dissecting every little detail in hopes of figuring it all out, and as our own Peter Hall discovered, it's not as easy as it looks. Nolan's films have always demanded repeated viewings (that's probably what I love about them), and Inception is no different. The movie is packed with layers upon layers of meaning and psychological concepts, but thanks to the sharp ears of a fellow obsessive, we could have another clue to solving Nolan's puzzle ... or maybe we just found one hell of an Easter egg.

Now if you haven't seen Inception, you're going to want to bookmark this one for later, because things might get a little spoilery in a minute. Within the story, our gang uses Edith Piaf's classic Non, je ne regrette rien as an audio cue that tells them it's time to 'wakey, wakey', and at the time I just assumed that the in-joke was the title of the tune ("No, I Regret Nothing") in the context of the narrative. But it's very possible that the song is much more than that. After a closer look, it appears that Zimmer's theme sounds an awful lot like Piaf's song (just slowed down) because that's exactly what Zimmer wanted it to sound like (the composer even said as much in a recent interview). In fact, the two pieces of music sound so similar that there is already a debate surrounding whether or not Zimmer could be ineligible for an Oscar nomination.

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Continue reading Listen To This: 'Inception' Music Easter Egg

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Go ahead and get that "AARGHHH!!!!" out of your system now. You'll feel better. (I have done so as well.) We've known this for awhile now, but yes, it's official: Total Recall will receive a "contemporized adaptation" that will in all likelihood be directed by Len Wiseman (Underworld, Live Free or Die Hard). Kurt Wimmer has been hired to write the script, which will be based on "We Can Remember It For You Wholesale," the Philip K. Dick story that inspired the original.

Wimmer's recent scripts include the thrillers Law Abiding Citizen and Salt, but the more pertinent credits are the ones he earned as writer / director of Equilibrium and Ultraviolet, which provided action thrills in science-fictional settings. If you harbor any hopes for this project, you can only dream that Wimmer can come up with something more closely resembling Equilibrium, a trashy yet entirely entertaining little surprise, rather than the flat, anemic, entirely incoherent Ultraviolet.

Beyond the "weird and scary and totally singular" elements from the original that Eugene rhapsodized about previously, don't forget the juicy cast (Ah-nuld, Michael Ironside, Ronny Cox, Sharon Stone, Rachel Ticotin). Then there's the whole go-for-broke / super-violent / cheesy-but-we-don't-care / 70s B-picture vibe that was infused by director Paul Verhoeven. In today's environment, that wouldn't fly. I shudder to think of of a rote, toothless, PG-13 action pic that has state-of-the-art special effects but abuses Dick's clever concept and ignores Verhoeven's funky / chic artistic aesthetic. However, to paraphrase Smokey the Bear, "only YOU can prevent remakes" by not going to see them.

What do you think? Will Hollywood screw this one up, or is this a film that deserves a contemporary remake? (Or, perhaps it'd be better off as a musical?)

Peter Martin and Erik Davis contributed to this report

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