
There are many problems to tackle when it comes to women and Hollywood; if it was all tiptoeing and daisies, this column wouldn't exist. To make things even peskier, most roadblocks can't be destroyed by one simple action. Each has a complex universe of factors keeping any seemingly simple desire -- like better female protagonists or women behind the camera -- from being fixed by one, two, or even three steps.
But there is one small, yet horribly irksome problem that could be fixed pronto. It does not require overhauling the studio system. It's just a simple change in phrasing -- one that doesn't require new language, and doesn't make any cinematic wording any more complicated.
It's time to abolish "girl films," "guy films," and any variation thereof. (Yes, "chick flicks" too!) Let's "use our words," people.
Filed under: Columns, Girls on Film
Continue reading Girls on Film: Abolishing "Girl Films" and "Guy Films"


Anyone familiar with even an inkling of film history knows why American studios set up shop in lower California. Unlike New York and New Jersey, where the industry had been centered, the Los Angeles area and its vicinity could fill in for pretty much any part of the world. Within driving distance, productions could find ocean, desert, mountains (with snow), thick forests, etc. And of course the weather was perfect for yearlong shooting, so even if a climate needed to be fabricated, at least it wouldn't be interfered with by nature. For those of us fascinated by this aspect of early U.S. cinema, it's fun to look over 